CULTURE

A Japanese Zen Monk Explains What Zen Is Really About


Despite devel­op­ing in Asia, as the Chi­nese form of a reli­gion orig­i­nal­ly brought over from India and lat­er refined in Japan, Zen Bud­dhism has long appealed to West­ern­ers as well. Some of that owes to the spare, ele­gant aes­thet­ics with which pop­u­lar cul­ture asso­ciates it, and more to the promise it holds out: free­dom from stress, anx­i­ety, and indeed suf­fer­ing of all kinds. In the­o­ry, the Zen prac­ti­tion­er attains that free­dom not through mas­ter­ing a body of knowl­edge or ascend­ing a hier­ar­chy, but through direct expe­ri­ence of real­i­ty, unmedi­at­ed by thoughts, unwarped by desires, and undi­vid­ed by the clas­si­fi­ca­tion schemes that sep­a­rate one thing from anoth­er. That’s eas­i­er said than done, of course, and for some, not even a life­time of med­i­ta­tion does the trick.

In the inter­view clip above, Rin­zai zen monk Yodo Kono explains how he arrived in the world of Zen. Hav­ing come from a line of monks, he inher­it­ed the role after the deaths of his grand­fa­ther and his father. Already in his late twen­ties, he’d been work­ing as a physics teacher, an occu­pa­tion that — how­ev­er fash­ion­able the sup­posed con­cor­dances between advanced phys­i­cal and Bud­dhist truths — hard­ly pre­pared him for the rig­ors of the tem­ple.

“I entered a role com­plete­ly oppo­site to log­ic,” he remem­bers, “a world where log­ic does­n’t exist.” Think of the Zen kōans we’ve all heard, which demand seem­ing­ly impos­si­ble answers about the sound of one hand clap­ping, or the appear­ance of your face before your par­ents were born.

Advised by his mas­ter to stop try­ing to gain knowl­edge, skills, and under­stand­ing, the frus­trat­ed Yodo Kono began to real­ize that “Zen is every­thing,” the key ques­tion being “how to live with­out wor­ries with­in Zen.” That can’t be learned from any amount of study, but expe­ri­ence alone. Only direct­ly can one feel how we cre­ate our own suf­fer­ing in our minds, and also that we can’t help but do so. This leaves us no choice but to relin­quish our notions of con­trol over real­i­ty. In dai­ly life, he explains in the clip just above (also from the doc­u­men­tary Free­dom From Suf­fer­ing, about the vari­eties of Bud­dhism), one must be able to move freely between “the undi­vid­ed Zen world and the divid­ed world,” the lat­ter being where near­ly all of us already spend our days: not with­out our plea­sures, of course, but also not with­out won­der­ing, every so often, if we can ever know per­ma­nent sat­is­fac­tion.

Relat­ed con­tent:

A 6‑Step Guide to Zen Bud­dhism, Pre­sent­ed by Psy­chi­a­trist-Zen Mas­ter Robert Waldinger

What Is a Zen Koan? An Ani­mat­ed Intro­duc­tion to East­ern Philo­soph­i­cal Thought Exper­i­ments

Japan­ese Priest Tries to Revive Bud­dhism by Bring­ing Tech­no Music into the Tem­ple: Attend a Psy­che­del­ic 23-Minute Ser­vice

Exer­cise Extreme Mind­ful­ness with These Calm­ing Zen Rock Gar­den Videos

A Beat­box­ing Bud­dhist Monk Cre­ates Music for Med­i­ta­tion

Bud­dhism 101: A Short Intro­duc­to­ry Lec­ture by Jorge Luis Borges

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.





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